Hansard - Garrick Theatre Company

Reviewed by Kate O'Sullivan

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Set in 1988, Hansard brings us into the home of Robin, a Conservative MP, and his left-leaning wife, Diana - a couple whose conversations cut as sharply as any parliamentary debate. The play’s title, taken from the official record of parliamentary proceedings, feels fitting for a work so steeped in political rhetoric, personal history, and the art of argument itself.

At the centre of Garrick Theatre Company’s production are two compelling performances from Grant Malcolm and Suzannah Churchman, who bring nuance and authenticity to a relationship defined by decades of affection, resentment, and ideological divide. It takes a little while for the energy to really build - the opening scenes could use a touch more of that quick rhythm that comes with long-term familiarity regardless of relationship or side of a divide - but by about the half-hour mark, they hit their stride beautifully, bouncing between sharp wit and raw emotion. Once they settle, both actors command the stage - the final scenes, in particular, are heart-wrenching; both performers digging deep, bringing the matinee audience to tears.

The production design supports the story effectively, creating a believable domestic world that contrasts neatly with the political tension inside it. Alistair and Karen Woodcock’s set is a well-realised box set - a home that looks perfectly composed, even as its inhabitants come apart. The lighting by Mark Nicholson and sound design by Cedric Beidatsch are generally well judged, though a few dark patches (notably around the kitchen doorway and the downstage left chair) occasionally left actors in shadow. Similarly, Merri Ford’s costumes feel true to both character and era. The one slight incongruity is the kitchen space, which felt a little undersized compared to the grand living room - a small extension or implied offstage area might have helped this, particularly for the late reveal of a major prop.

The performance ran longer than advertised - approximately 110 minutes instead of 90 - but once the pacing clicked, the dialogue moved with ease, and the audience remained engaged throughout.

Given today’s political climate, Hansard is a timely and intelligent choice - a reminder that the battles of ideology are often most fiercely fought not in Parliament, but around the dinner table. Garrick Theatre Company delivers a thoughtful, affecting production anchored by two strong central performances that reward the audience’s full attention.

Reviewer Note: Tickets for this review were provided by the theatre company.