Primal - Fringe World 2026

Reviewed by Kate O'Sullivan

---

Primal opens with a punchy group number that immediately sets the tone. It’s high-energy, physical and a little bit unhinged in the best Fringe way, and it’s worth noting that the ensemble work is a real strength of the show. Every group number feels successful and varied, giving the cast plenty of space to show different sides of their skill. The final group number is a particularly strong way to close the show, sparks and all, leaving the audience on a definite high.

The show blends cirque, acrobatics and dance with real polish. Balance strength, fire handling, aerials and silks are all woven together through choreography that shifts smoothly between power and finesse. One of the standout moments pairs Leather Lungs’ vocals with Tro Griffiths’ aerial work, creating a genuinely memorable sequence. Another highlight is a striking balance-meets-ballet piece that feels both unexpected and beautifully controlled.

Leather Lungs delivers impressive range, though the vocals occasionally feel pitchy. It’s hard to know whether this comes down to performance or acoustics, but the vocal style does become a little repetitive, with the biggest showstopper moments arriving early in the show. Musically, however, the show is well curated with strong choices that support the themes and emotional beats throughout.

What really anchors Primal is its intent. The show is boldly femme-positive, with Kat O’Keefe and Emily Loe repeatedly taking on the role of bases in partner work. Their strength and control are undeniable, and the choice to put femme-presenting performers literally doing the heavy lifting is both refreshing and very deliberate. It’s a clear challenge to traditional ideas around gender and physical power, delivered without losing its sense of fun or sensuality.

Comedy comes courtesy of Ciara Thorburn, whose clowning brings warmth, mischief and some genuinely funny audience moments. No spoilers, but a glass of red plays a starring role. Paul O’Keeffe’s trapeze act is another highlight, particularly the final moment, which "lands" beautifully.

One lingering question is whether Primal might benefit from a more intimate venue. While the Heath Ledger Theatre is undeniably beautiful, the performers’ energy sometimes felt slightly separated from the audience, as though the rawness and heat of the work couldn’t fully land across the space. You can sense the electricity coming off the performers, even if it doesn’t always reach the seats.

Overall, Primal is a sexy, physical and confident Fringe show that invites audiences to rethink how we see bodies, gender and desire. It’s playful, provocative and performed with serious skill, making it a strong and thought-provoking addition to the Fringe program.

Reviewer Note: Tickets for this show were provided by the theatre company.