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Shock Jocks - Fringe World 2026

  • 4 hours ago
  • 2 min read

Reviewed by Kate O'Sullivan

There is something oddly unifying about radio shock jocks. You either love them, or you absolutely cannot stand them. Weeping Spoon Productions gives audiences plenty of reasons to feel both, delivering a sharp and energetic look at the world of commercial morning radio. Running two simultaneous plot lines, one on air and one off, the show offers a comedic peek behind the microphone. We see not only the performative banter designed to hook listeners, but also a messy, human “will-they-won’t-they” tension fuelled second plot unfolding outside the studio walls.


This is by no means just another comedy. Beneath the rapid-fire jokes and satirical rants lies pointed social commentary. The writing deftly skewers issues of female representation, the power of shock value in driving ratings, and the real-world consequences these headline-grabbing moments can have on others. The rise of celebrity at the expense of experience is also explored, adding an extra layer of bite to what could otherwise be simple parody.


Where the show falters slightly is in its pacing. At 60 minutes, it feels as though it is rushing toward a conclusion that has not quite had time to fully breathe. The climax arrives abruptly and resolves just as quickly, leaving the audience without the sense of payoff the build-up promises. With a handful of additional scenes, or a reordering of events to seed key ideas earlier, the narrative could land with far greater impact.


That said, the ride itself is an enjoyable one. The show is a delightful roller coaster, particularly for anyone who has endured one too many morning radio segments filled with bizarre call-in questions, awkward giveaways, and manufactured outrage.


Anchored by two terrific performers, this is a wonderfully hilarious production that consistently delivers laughs while remaining unexpectedly poignant. Its commentary on the excesses and ethics of commercial radio feels uncomfortably accurate. If you have ever listened to, or are simply tired of hearing about, the antics of a certain problematic Aussie radio duo, this show will feel a little too close to home, in the best possible way.



Reviewer Note: Tickets for this review were provided by the theatre company.

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